Morgan’s Crop Painting
At 28 by xiv inches, this oil painting I made is 1 of the largest in my tool portrait series. This horse riding crop belongs to Carol's daughter Morgan so was named accordingly. This painting makes number 4 in my growing sub-series of horse tack artwork. Because this canvas was so big I chose to stretch it around over sized stretcher confined; the blazon that are near 2 inches thick. Talk about some serious hunks of lumber!
As ever I did some composing past positioning the riding crop on different nails within my staging area and played effectually with the lighting. I quickly saw that this painting was going to have some unique compositional issues that I had not faced earlier. With all my tool portraits and horse tack portraits I strive to create a balanced work of art. Since I generally paint i particular per painting this usually means I am utilizing a very symmetrical composition. The nail that a tool suspends from is always in the center of the composition equally measured horizontally. The riding crop didn't allow for this. What to do?
When hanging from its strap the riding crop hung on an angle that was not equally distributed. I attempted a layout of the painting that had the smash in the center…it didn't look quite right. Too much of the ingather was towards the left. The composition was very heavy on the left-hand side. To compensate for this imbalance I elected to move the boom slightly to the right so that the slanted riding ingather seemed to occupy approximated the same about of infinite in the left and right halves of the painting.
I tend to exercise a lot of this kind of thinking when I fix upwardly my items to turn into paintings. Someone might take a quick look and call up, "It's but a hammer." Or, "He just painted a shovel." Simply, I put much thought into placement and weighting of the forms. I also think about the cast shadow and how that affects the overall weight of the composition. We often recall of shadows as zilch, but they get an integral part of an artwork's limerick and must be considered with great care for any successful painting.
Source: https://helloartsy.com/morgans-crop-painting/
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